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Macbeth commentary
This passage, page 11 line 1 to line 5 of scene four, is the moment the King first meets the brave and loyal Macbeth after the brutal and bloody battles meticulously described in the last scenes.
The king begins with a powerful statement, ¡§There¡¦s not art to find the mind¡¦s construction in the face¡¨ to describe the disloyal and executed Thane of Cawdor. The king then continues with ¡§on whom I built/An absolute trust¡¨. All together, the statements possess hatred and betrayal. However, dramatic irony seems to be hooked with the statements because they also apply to the brave Macbeth. Although Macbeth is noble in the eyes of the king for restoring his right order, his thinking is ignoble which we realize in Macbeth¡¦s aside at the end of this passage.
At their first encounter, the king greets Macbeth with such loyalty by addressing him as ¡¥my worthiest Cawdor¡¦, ¡¥O worthiest cousin¡¦. The king seems extremely jubilant and thankful that his ¡§sin of ingratitude even now/Was heavy on me¡¨. As a result, Macbeth replies with debt using the word ¡¥owe¡¦ and Banquo replies to the king ¡§There if I grow/The Harvest is your own¡¨.
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Throughout the dialogue, Macbeth uses courtly language using words such as ¡¥humbly¡¦ and ¡¥harbinger¡¦. Between line and 7, Macbeth depicts what honorably to do because he mentions, ¡§Your highness¡¦ part/Is to receive our duties, and our duties/Are to your throne and state, children and servants¡¨. However, these wise words will not conquer Macbeths¡¦ thoughts.
Another significant aspect of this passage is the king¡¦s intention to metaphorically plant Macbeth and Banquo and cultivate their devotion. However, little does the king know Macbeth¡¦s ambitions, which might dominate his loyalty and sprout a flower of evil.
Since the king¡¦s state was gravely threatened, he announces his son to become the next king. The threats might be echoing in Duncan¡¦s mind that he names Malcolm as the next ruler.
As we skim through the short passage, we come across rhyming couplets at line 1 and 0 ¡§say¡¨ and ¡§pay¡¨; at line 50 and 51 ¡§fires¡¨ and ¡§desires¡¨; and at 5 and 5 ¡¥be¡¦ and ¡¥see¡¦. Other language techniques include alliteration at line 41 ¡§stars shall shine¡¨ and line 51 ¡§deep desires¡¨. Another literary technique Shakespeare using is ending words with the same letter such as in line 51 ¡§let not light¡¨ and line 5 ¡§Yet let that¡¨. Shakespeare uses many of these techniques to lock in the lines together and to produce sounds, which will attract the audiences¡¦ ears.
In Macbeth¡¦s aside there seems to be so much emotion compressed into a few monosyllable words with an iambic flow. As Macbeth reaches the end, his aside becomes an apostrophe because he is addressing the stars. A few lines ago, King Duncan also address the stars to set their heavenly light upon the two nobles Banquo and Macbeth. However, Macbeth pleads the stars to set no light upon his ¡§black and deep desires¡¨ which represent the sacrilegious murder. Since the King was thought of as chosen by God, his body was sacred and killing him would be considered as a profanity. Therefore, the King showed such honor when he offered his body to Banquo.
From Macbeth¡¦s aside we also learn that Macbeth has to murder Malcolm since ¡§That is a step/On which I must fall down, or else o¡¦erleap¡¨. The aside also portrays to us that Macbeth still possess conscience and consciousness because he does not want to admit to the cruel murder when it is done.
I think that Duncan¡¦s first words in this passage truly and beautifully define the cold world today. Betrayal leaves a deep painful scar but revenge is the sweetest joy, which will mend the wound and slaughter the fake friend who ¡¥win us with little honest trifles¡¦. Shakespeare does an excellent job with Macbeth¡¦s aside because the language is extraordinary especially the statement ¡§Stars hide your fires. . .¡¨
Mcbeth by W Shakespear
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