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MONET mania came home this week as an exhibition which brings together the largest collection of the Impressionist master’s paintings of water lilies opened on Thursday at the Musee de l’Orangerie in Paris.

Unlike the recent blockbuster show in London, which concentrated on the 0th-century works, the new Paris exhibition focuses exclusively on Monet’s paintings of the white water lilies in his garden at Giverny, a subject which obsessed him during the last 0 years of his life as he battled encroaching blindness to capture their shimmering beauty before it was too late.

It is a unique event which could only happen at the Orangerie as the exhibition’s centre-piece, the majestic eight-panel mural of water lilies which Monet gave to the state in 1, is actually built into the curved walls of the museum itself and cannot be moved. The mural, which is the crowning achievement of the water lily paintings, is crucial to understanding their development and the show offers art-lovers the final chance to see it for some time as the Orangerie will close for two years of renovations once the exhibition ends on August .

More than merely a set of paintings, the water lilies make up a true cycle, numbering nearly 50 paintings in various styles and sizes. The Paris exhibition brings together 60, from public and private collections all over the world, from Minneapolis to Munich, Cardiff to Kita-Kyushu in Japan. Particularly impressive are two large compositions which have been lent by the Museum of Modern Art in New York.


Monet began the paintings after creating the celebrated garden at Giverny, with its Japanese bridge and ornamental pond in which he grew the white lilies “as a subject for painting” and where he lived from 188 until his death 4 years later. He became so absorbed by his subject that he would begin as many as 14 paintings at once, all treating the same motif, but each reflecting the shifting light on the lily pond at different hours of the day.

“I am absorbed in my work. These landscapes of water and reflections have become an obsession for me. It is beyond my strength as an old man and yet I so want to render what I feel…” he wrote to a friend in 108 as he began to be troubled by the cataracts which were to leave him nearly blind.

Astonishingly, it is during this period that he produced much of his finest work, despite suffering terrible bouts of discouragement. He even destroyed some panels and almost failed to honour his commitment to his old friend, the politician Georges Clemenceau, to whom he had promised in 118 to donate several paintings to the country.

Monet and Clemenceau were close friends, sharing a love of art and gardening and it was the politician who encouraged Monet to undergo a successful operation in 1 which restored his failing sight, allowing him to continue to paint until his death in 16.

“Paint, paint always, until the canvas is worn out. My eyes need your colour and my heart is happy with you.” Clemenceau wrote to him. As the legion fans of today’s most popular artist flock to this new exhibition in Paris to stand in awe before his depictions of light, water and lilies, many will wish they could express their love and admiration for Monet as eloquently.

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