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Jessica Brownlee

Survey II

From the late 1th century to World War I, different artistic movements have focused on color as an instrument to transform the conventions of academic painting and propose new artistic visions and new styles.

Color Analysis

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Vincent van Gogh’s The Starry Night

The painting includes both light and dark blues. Bright yellows, light green, dark green, brown and black. The background comes alive with the bright yellows, greens, and blue. The large stars look like different spirals outlined with greens and whites to bring them out (www.ibiblio.org/wm/paint/auth/van Gogh). The combination of blue, green, yellow, and white join together, in my opinion, in a harmonious, wave like motion against the blue sky.

Henri Matisse’s Portrait of Madam

In this portrait, Matisse uses a lot of various colors. The background is green on the right side of the painting. The left side is purple in the top left side of the painting. The bottom left side is orange. Her hair is black and blue. The green and red are complimentary colors. The green gets darker to lighter starting from the neck going up. The purple gets darker to lighter starting from the upper left corner. On the left side the orange and purple repeat the colors of the dress.

Paul Cezannes’s The Blue Vase

The colors include blue, green, orange, brown, white. The blue vase is contrasted by the earth toned table. During the 180s Cezanne’s palette, based on shades of blue, green and earth tone, gradually become more fluid and more transparent (Sproccati, 1).

Style Analysis

Vincent van Gogh’s The Starry Night

Worked Cited Page

Arnosin, H, H The History of Modern Art Prentice Hall Englearrt, 18

Sparoccati, Sandro A Guide to Art Harry N. Abrams, New York 1


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