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Help Wanted Someone to Watch Over Me


There she goes again, fluttering around the house like a beautiful butterfly. My father’s


wife was the “Donna Reed” of wives. Wonder Woman would have cringed in fear by the very


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presence of my father’s wife. This woman was able to take care of her household in one single


bound. There were no limits to this wife’s talents, abilities, and lastly, responsibilities. This all


powerful wife is my mother. As I look back, she was more like a busy little worker bee, tending


to all who needed her, while still being just as beautiful and graceful as a butterfly. Growing up in


this household, it seemed quite natural for mom to do everything for her precious family. She


wanted to be the perfect wife and mother. It seemed to bring her much joy when she was cooking,


cleaning, doing yard work or helping with homework, nursing us back to health when we were ill,


or just going grocery shopping. I have always wondered though, why she never brought us along


with her to the market? Of course, this viewpoint came from a small ignorant child. None the


less, mom was a natural and she excelled in everything she did for her family. I never heard her


complain about her workload, but I often wondered if she felt overloaded. Was her stress level to


the point of no return? Because the memories of my “super human” mother are so prevalent, I


was very intrigued when I read Judy Brady’s essay about wanting a wife. I was even more


intrigued by her insinuation that everyone could benefit by having a wife. I find Brady’s writing


techniques and her appeal to her audience makes for a very persuasive view point. However,


Brady seems to rely mostly on her first hand experiences, which might not be enough to persuade


her readers.


“I Want a Wife” is Judy Brady’s attempt at persuading the men and women of the world


that if they want to maintain a happy, stress free lifestyle, they need to find someone to take care


of them. Mrs. Brady uses the rhetorical patterns of process analysis with some illustration,


classification, cause/effect, and mainly emotional appeal to take her stand.





Brady classifies herself as a wife and mother very early in her essay (41). However, she


fails to mention how long she has been married or how many children she has.





Brady illustrates that she has a male friend who has recently divorced and is now looking


for a new wife. Brady was thinking about her friend’s predicament one night and she realized that


she too, would like to have a wife (41).





After proclaiming that she would like to have a wife, Brady uses process analysis to show


us what chores she would have her wife do for her and how to do them. Brady states that she


would like to go back to school to better herself financially, but in order to accomplish this, she


would have to have someone to take over all of her responsibilities as a wife and mother (41).


The author uses the phrase “I want a wife” repetitively (1 times) to keep the audiences attention


and stress the importance of her work. Brady gives detailed examples of chores she expects her


wife to accomplish. Brady states, “I want a wife who will work and send me to school. And


while I am going to school I want a wife to take care of my children.” She goes on to say “I want


a wife who will take care of my physical needs. I want a wife who will keep my house clean, pick


up after me and the children, cook for us, wash our clothes, and know where everything is just in


case I need something” (41). I feel that Brady is talking from her own personal experiences as a


wife herself. She gives many examples that are very specific in nature as to what she wants her


wife to do.





Brady’s tone throughout her essay is one of resentment filled with sarcasm. Brady states,


“I want a wife who will not bother me with rambling complaints about a wife’s duties. But I want


a wife who will listen to me when I feel the need to explain a rather difficult point I have come


across in my course of studies” (41). She seems to almost dare her readers to deny that they


wouldn’t benefit from having a wife.





Although Brady didn’t use any specific cause and effect strategies in her essay, I feel that I


picked up on one. I feel that what caused Brady to want a wife was that her duties as a wife and


mother consumed her. I feel maybe she feels under appreciated for all that she does for her


family. Maybe her family wants too much.





I feel that Brady uses good description in her essay. She describes so vividly her


expectations of a wife, her readers just might agree with her. However, I found two fallacies in


this essay that may detract from it’s effectiveness. Brady asserts that everyone would benefit


from having a wife (414). This is allness. This can’t be true for everyone since there are people


who believe that they already have the perfect, stress free lifestyle. Brady also stereotypes the


role of a wife. This is prevalent throughout the whole essay. I also sense that Brady may be over


simplifying the issue in her essay. Would it be much easier to go out and get a wife to take care


of the household, children and spouse than to come together as a family and divide up the


chores?


Brady appeals to the emotion in her readers. She makes us stop and think how we would


feel if we had someone to satisfy our every need. Someone to have on hand to pamper and baby


us whenever we beckoned. I think that Brady’s best emotional appeal is written in the last


sentence of her essay, “My God, who wouldn’t want a wife” (414)?





In conclusion, although Brady has a couple of fallacies within her essay, she has been


semi-successful in her persuasion because of the techniques she chose to use. Brady was not


successful in persuading me to join her in wanting a wife, however, I discussed this essay with my


mother and I asked her the simple question, “What would you do with a wife?” My mother’s


reply, “Rest my dear, rest!”





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The Things They Carried


By Tim OBrien


What is the definition of necessity? According to Websters New World Dictionary a necessity is a great need. In reality, necessity is a rather difficult concept to describe. As children in a sheltered environment there may be emotional attachments to parents, a blanket or stuffed toy. To a small, healthy child these are probably the only other necessities he requires other than food, beverages, and the ever-demanding diaper change. Similarly, in The Things They Carried by Tim OBrien what a person requires for his or her survival may vary with the particular situation they are in and also the time element involved. These needs may become distorted when one finds himself in a situation that is unfamiliar or dangerous. In the case of this story, the situation is the Viet Nam War. In these circumstances a person would experience an extreme feeling of vulnerability and may want to hold on to all that he can, anything that will give him comfort. This is not totally unlike a childs instinct to hold onto a blanket for comfort when he/she feels threatened. Even though these necessary items or ideas may impair or even threaten to destroy the person, it may be impossible for the individual to release them.


The Things They Carried by Tim OBrien exhibits necessity from both destructive and constructive viewpoints. The story looks at the burdens the soldiers must bear and the effects the burdens have on someone in a life-threatening situation. When these burdens are looked at closely, the author makes the reader question whether these necessities the soldiers carry both physically and mentally keep them alive or lead to their destruction. OBrien examines the many angles of the how necessary certain items really were.


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One doesnt often consider what necessities a soldier must have to keep them alive. After reading the story it became all too clear that these were very easy to underestimate, particularly the ones that will keep them physically alive. It is hard to imagine a grunt would have to carry such large loads of weaponry, food, and clothing. OBrien lists these items first in the story, I believe, to show their importance. The things they carried were largely determined by necessity, he states on page 706, and goes on to talk about rations, water, defensive clothing, and necessary sleep gear (707). But, also listed in the same paragraph were items such as Rat Kileys comic books, Kiowas Bible, and Ted Lavenders six or seven ounces of premium dope. Although comic books and premium dope are not necessary for physical survival, to the soldiers they provided a sense of comfort. Perhaps the loneliness and isolation they men felt drove them to cling to their mental and other vices because it filled an emotional void which was a byproduct of terrible violence they faced in the war. Lieutenant Crosss fixation on Martha may have anchored him to a time of innocence that is indeed a great contrast to what he was experiencing in the conflict in Viet Nam.


It is also important to note the detailed list of military supplies. OBrien goes on and on about the weaponry the soldiers were responsible for carrying. First he lists the standard issue weapons such as rifles, grenades, flak jackets and helmets (708). Then the extra weapons the soldiers carried ranging from fragmentation grenades to brass knuckles to Kiowas hatchet (70 are discussed. Lee Strunk also carried and slingshot - a most primitive weapon compared to modern warfare weapons. They were ready to kill with a variety of weaponry. It is difficult to imagine the physical strength they needed to hump all of the equipment. OBrien emphasizes how great the weight really was when Ted Lavender is shot and the weight he was carrying made him fall like a big sandbag or something - just boom, then down (70). Another statement by OBrien - they carried all they could bear, and then some, including a silent awe for the terrible power for the things they carried,” (70) reminds one of how great their burdens must truly have been.


These burdens - the supplies the men carried to stay physically alive - are placed on the same level in terms of description as the objects carried that provided emotional support to the platoon.


“They carried USO stationary and pencils and pens. They carried Sterno, safety pins, trip flares . . .hot chow in green mermite cans . . .Black Flag insecticide . . . the weight of memory. . . each other . . . lice and ringworm. . .the land itself . . .the sky . . . the whole atmosphere . . . the carried gravity. They moved like mules.”


Note the last sentence’s reference to mules � beasts of burden. OBriens writing style shows no differentiation between the subjects of food, weapons, reminders of home and good luck charms. They are all necessary burdens in his platoons eyes and they all had to be humped.


Another example of emotional nourishment is found in OBriens description on Lieutenant Crosss attachment to Martha. He carries her letters and reads them daily, and his love for her keeps him going and gives his life meaning. He also carries her photographs, and the pebble she sends him that constantly remind him of her. In the end, all of these necessities become a burden to heavy to bear for Lieutenant Cross. These possessions he holds so dearly bring back memories such as the night at the movies when Martha would not kiss him back as well as initiate fantasies about Martha, such as when Lee Strunk was in the tunnel.


Lieutenant Cross gazed at the tunnel. But he was not there. He was buried with Martha under the white sand at the Jersey shore. They were pressed together, and the pebble in his mouth was her tongue.”


Lieutenant Cross has a difficult time staying in touch with what is happening around him, perhaps because the fantasy world he retreats to so often is much more tolerable. This is evident by the way O’Brien skillfully moves between Cross’ thoughts between Martha and what is happening in his platoon. When Ted Lavender dies, Cross feels that it is his fault because he was thinking of Martha more than he was thinking of his men.


Even though there was nothing Lieutenant Cross could have done to prevent Lavenders death it is no consolation to Cross. Cross thoughts of Martha had nothing to do with Lavenders death, but for some reason Cross chooses to link to two together. It makes one wonder what other burdens cross is carrying that would lead to this intense feeling of guilt. Maybe it is a response to the horrific events he has witnessed in the war such as the cutting of the VC corpse and thinking about Martha’s innocence, which are in direct opposition to each other. In the end, Cross must leave the burden of his love behind, as he realizes it is not sustaining him, but destroying him. The love is simply too much for him to bear, so he burns Martha’s letters and gets rid of the pebble she sent him. This scene is faintly representative of Christ at Gesthemane, because Cross is alone and suffering a great amount of anxiety as his friends sleep. One can see the similarity of the guilt Cross carries and the guilt that Christ bore on his shoulders for the redemption of mankind. It is at this point of the story that O’Brien reveals the symbolism of Cross’ name. Cross then realizes the enormity of the burdens that the men carry. “It was very sad, he though. The things men carried inside. The things men did or felt they had to do” (718). Cross’ name obviously symbolizes his own burdens that he thought of as “necessary”, as well as those of his platoon.


Probably the greatest burden that the men felt the necessity to carry was the load of dignity. There was an unspoken need to stay tough, to maintain composure and not let the terror or anxiety they experienced through the horrors of war get the best of them. At some of the most dangerous times they may have panicked but it didnt last for long awkwardly, the men would reassemble themselves, first in private, then in groups, becoming soldiers again (715). They would cover their fear with humor; they used a hard vocabulary to contain the terrible softness… as if to encyst and destroy the reality of death itself (715).


O’Brien shows the meaning of this burden when he states, “they carried the soldier’s greatest fear, which was the fear of blushing. Men killed, and died because they were embarrassed not to” (716). This was the fear that weighed the men down the most, because it was hidden internally. They would only allow themselves to dream of freedom, because those that took the easy way out by wounding themselves were looked down upon, even though inside the soldier’s felt envy. This description gives the impression that the internal burdens that the men carried were keeping them alive, and were indeed necessary.


O’Brien writes from a soldier’s point of view but in the non-participant manner. He sees into the mind of Lieutenant Cross and relates to us probably what were extremely typical emotions both Cross and the rest of the platoon must have been feeling during the war. To deal with the turmoil and the ugliness of war, as well as the vulnerability they felt, the soldiers clung to what might be considered their “security blankets” � anything familiar, comforting, and reminiscent of home and the innocence they left behind. O’Brien’s reliable point of view, thought written through the thoughts of Lieutenant Cross add validity to the story since he experienced the burdens of war first hand in Viet Nam.


Although O’Brien writes of mostly flat characters in the story, two round characters stand out above them � Martha and Lieutenant Cross. Cross knew quite a lot about Martha � basic demographics


“She was a virgin, he was almost sure. She was an English major at Mount Sebastian, and she wrote beautifully about her professors and roommates and midterm exams, about her respect for Chaucer and great affection for Virginia Woolf. She often quote lines of poetry; she never mentioned the war, except to say, Jimmy, take care of yourself.”





But Cross never would know if Martha loved him the way he loved her. “More than anything, he wanted Martha to love him as he loved her, but the letters were mostly chatty, elusive on the matter of love” (706).


Even though we don’t know much about Cross’s physical attributes, he is seen from more than one side. His very thoughts, feelings, and perceptions are quite obvious by the end of the story. The finality of his metamorphosis is realized when he lets the memory of Martha go. This change throughout the story leads to the final rounding of his character. It is evident at this time that it is not necessary to know anything more about Cross � his thoughts create a great amount of the action and understanding of his character.


Tim O’Brien writes effectively from Cross’ (a soldier’s) point of view to put the reader in the driver’s seat. Through his thorough descriptions of “the things they carried” one can only mentally experience the weight the platoon had to physically and mentally endure.


In “The Things They Carried” O’Brien explores all of the many objects and emotions that lead to death and destruction. Ted Lavender is dropped to death by a bullet, as well as by the supplies on his back and his dreadful fear of the situation has been put into. Ted falls when he could carry his burdens no more. Lavender was so burdened by the things he needed to stay alive, that they finally caused his downfall and death.


In closing, O’Brien explores the idea of necessity from every angle, and finally brings one to the conclusion that the things men believe they need may become too much to bear. He not only examines the great physical demand that is placed on his men that is placed on the men as they carry their supplies, but the mental and emotional strain that weighs them down immensely. His portrayals of Ted Lavender and Lieutenant Cross are excellent examples of these burdens Ted through the description of his less-than-desirable lifestyle and his demise, and Cross through his deep love and agony that he feels about Martha. By allowing Ted to die and Cross to live, O’Brien perhaps was saying that to survive a horrible situation sometimes one must let go of the things he feels he needs to fill the voids in his own life. O’Brien makes the reader question what we feel we really need and what part these things play in our lives.








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‘Get out of here, and don’t come back unless you have some money.’ shouted the man behind the big black gate.


Jin found himself walking home again on this dark and errie road. This road is the only main road that connect everyone around here on this little island outside of the Pacific Rims. This town with the population a little over 100 people used to have lots of visitors during the rainy season because of its quiteness and out of this world landscapes. All of which seized to happen after several visitors and locals said that they had seen a woman wearing white cloth running around at night and calling someone’s name and then disappeared into thin air. Some of the locals even said that the woman looked exactly like Jin’s wife.


Jin found himself recollecting of what he had gummed up and that it has destroyed his live. It was today in 158, years ago, when all this had happened. Jin had to sell his wife to repay his debt to a loan shark because of his gambling problem. Before they took her away, his wife said that she would never forget him and she would come back and look for him no matter what. Jin never saw her again. This story bacame famous with the people


That was the last day anyone had seen him or the woman again. Some people said that his wife had really came back and looked for him even after death.


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The United States of America is an even greater plutocracy than these alarming numbers suggest. And the disparities between the rich and the poor are approaching those in some other countries before their elites were eventually sent to the dustbin of history by the common folk who rebelled against such ‘taxation without representation.’


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Shadow Puppet,


Javanese Traditional Art of Shadow Play


Shadow puppet theatre in Indonesian language means Wayang Kulit, is a unique combination of ritual, lesson, and entertainment to show communicated history, philosophy, ethnics, and culture. Wayang kulit has its origin in the ancient believe that the departed spirits return to Earth at night, and can be experienced on the light up screen and creating an interplay of shadow to the audience which play on through the night and still vibrant at dawn. The interplay relays to Hindu mythology and Javanese legend that deal with the external struggle between good and evil. The Javanese shadow puppet theatre combines the creative elements of puppets, music, History and story telling that make the Hindu and Javenese legends spring to life on the screen.


Wayang kulit is a gregarious puppet theatre. “Wayang” in modern Indonesia language is basely translated into puppet, and “kulit” means skin or


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leather that is the material from whichthe figures are carved. The puppets Leather are made of buffalo skin and manually carved. Although not visible in front of the screen, the puppets are painted with intricate, brightly colored decorations and cut with tiny details, like curls in the hair that is visible when the puppet is held right upon the screen as the usually are. There are about 50 characters in the shadow puppet. The characters include kings, princes, teachers, gods, giants, demons, and ordinary people. The characters that have narrow eyes are refined and elegant. For example is Sri Rama or Prabu (king) Rama. The characters with wider eyes are more down to the Earth, like giants, demon, and citizen. For example is a clown named Semar. In wayang kulit, most of the characters speak in “Jawa kuno”, ancient Java language and in the language of “Kawi”, language that carries inspirations.


In performing the play, the shadow puppet play is accompanied by gamelan orchestra. Gamelan is a traditional music instrument from Java. The repertoire consist of an overture, music for traveling, each of the character, and battle music. The music in shadow puppet performance is very much important therefore, the gamelan players must be able to respond to the spontaneous timing and direction of “dalang”, the shadow puppet master to make the performance alive, communicative, and attractive.


Most shadow play is based on two epic stories from India. The Mahabaratha and the Ramayana, elegantly depict eastern philosophies, which inspired many cultures. The Balinese and Javanese have combined the Hindu stories with Buddhist and Muslim ideas and their own folklores. Usually the Mahabaratha and Ramayana mythology, which some of the episodes are purely Indonesian creations that based on the two epics stories, are divided into many different episodes. The Mahabaratha and Ramayana stories are thousands of verses long and only a portion can be performed in one session. The other stories from Indonesian history and myth are occasionally performed. Some favorites include “Kala Rau” or the eclipse of the moon, “Calonarang” that means a call to witches, and “Panji” the Javanese story.


The shadow play, a story telling that carries cultural information is enlighten by the puppet master. The shadow puppet master, in Indonesian


language means “dalang”, delivers the story in the play. The dalang becomes the center of knowledge culture, and history. He manipulates the carved leather figures and the screen to bring the shadow and the story seem to life. In delivering the stories, the dalang manipulates all the figures, interprets characters and uses different voice for each characters, and produces sound effects punctuating speech and movement. The dalang will also sing, cue the musical accompaniment, and speak several languages. The dalang chooses the story that appropriate to the village or to the place sponsoring the performance. The choice is made to illustrate useful moral. In every performance, the dalang will create a script remaining to the original story but adding subplots, new characters or comments on current conditions, there is usually a scene when clowns appear, making jokes, talking about current local events and probably criticizing an institution and he uses the original story to give solutions. Therefore, Dalang must be able to tell the stories as they should be told. If this kind of self-control and knowledge is accomplished, a dalang is considered a professional.


Since the ancient time, Wayang kulit is brought into play to give lots of information to people. For instance, a historical story likes Ramayana which is very common stories in shadow play. Nevertheless, the story are varies from performance to performance, it depends on the puppeteer or dalang. Dalang uses his creativeness and his intelligence to interpret the message of the story. He is the one who in charge in the play, he manages the story, gamelan orchestra, and the play and manipulates the puppets. The unity of the puppets, music, and story telling through the puppet master, make the performance alive.





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How Does H.G. Wells Portray Fear in ‘The Red Room’


At the beginning of the ‘Red Room’, the young narrator is playing the role of a very confident and secure person. As the story unfolds, it is clear that the narrator’s assurance and confidence seem to perish. In the opening of the story he speaks as though he does not believe in any of the tales or myths he had been told about the ‘Red Room’ and keeps a very calm and cool voice “It will take a very tangible ghost to frighten me” (P.4). The elderly caretakers seem to be trying their utmost to scare him or put him off going to the room by informing him of all the stories and legends that there are about the ‘Red Room’. The tone of the elderly people’s voices is such that it gives the impression that by setting foot in that room, it will be as imbecilic as suicide “It’s your own choosing” (P.4) says the old woman. Her repetition of this phrase emphasises both his stubbornness and the imminent sense of danger.


Subsequently the old woman then explains that even though the narrator hasn’t ever seen a ghost or a spirit in all his life, this is also the first time that he has ever set foot in this house and therefore hasn’t experienced its inexplicable and supernatural activity before “And eight and twenty years you have lived and never seen the likes of this house, I reckon. There’s a many things to see, when ones still but eight and twenty. A many things to see and sorrow for” (P.4). Also in this line, her use of repetition further emphasises the old woman’s horrific and dire experiences that have been engraved into her mind which she would be happy to forget about.


I feel that the young protagonist starts to experience fear right from the beginning because of what the old people have been revealing to him. He probably did have doubts about going there but did not want to show signs of ‘infirmity’ in front of his social inferiors. There is an early indication of things not being all that they seem when the narrator’s reflection in the mirror is abbreviated and broadened to an impossible sturdiness, (P.4). Perhaps by the end of the story the impossible may become reality.


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Already the protagonist’s confidence appears to be waning as he requests that one of the caretakers accompanies him to the site of his lonely vigil. When they refuse he has no choice but to ‘go alone’. But makes sure that their door is ‘wide open’ before he lights his candle; which denotes that he may be frightened of the dark.


As the story proceeds, the narrator becomes more aware of his surroundings and the noises. He gives a very detailed description of the setting and his surroundings because he describe almost every little movement and sound made as a person would when they are afraid “I heard the sound of a stick and a shambling step on the flags in the passage outside, and the door creaked on its hinges as a second old man entered…” (P.4). From this we can already see that the narrator isn’t as calm and confident as he was at the beginning of the story and that his self-assurance is starting to diminish.


The old man again says “It’s your own choosing” now sounding as though he is literally saying ‘don’t go through with it’. I think the narrator picks this up and indicates that he still wants to do it and replies by saying “It’s my own choosing” (P.4).


H.G. Wells’s vivid description of the Gothic setting builds fear and tension throughout the story. An early indication that there is more to the room than can be seen is when the narrator is preoccupied fortifying himself with another drink and is unaware that ‘A monstrous shadow of him crouched upon the wall and mocked his actions as he poured and drank’ (P.44)


The more he was with these people, the more uncomfortable he felt around them. He felt as though they weren’t really human; almost as if there was something inside them controlling them using their flesh and bodies as a disguise.





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From the time that I was in the ninth grade until now, my friends and myself have always been at odds about what type of guys we should go out with. Like which guys are considered better than the other is. We are forever at standoff of what our preference is, athletic over intellect or intellect over athletic. Now speaking for myself, I am totally and faithfully (call me shallow if you will) in love with athletes. There is nothing better to me. However many of my friends believe that to get the better man he should be one of intellect. Who says that intellect makes a good man? Furthermore who says that an athlete lacks intellect. From experience I do know that any kind of guy can look sweet and be completely evil, and really thuggish looking guys can be really sweet. ? Since I have had the good fortune to date a variety of guys I think that I will enlighten my friends a little bit.


First of all, athletes are very masculine (muscles on top of muscles), their stamina is excellent, and their bodies are in magnificent shape. However very intelligent guys even though they may lack stamina, are very interesting to converse with. Even though their bodies may not be as masculine as athletes bodies you have to remember they spend most of their time studying, while athletes are continually in the weight room. With guys of intellect I learn something-new everyday, and I look forward to future conversations with them. Though with athletes you more or less find that the conversation seems to always come back to sports. Not that that is a bad thing, but every five minutes it makes you wonder do they think of anything else. Which of course they do, they are continually thinking of ways to show you how wonderful their stamina really is.


Although my friends argue that they only want a man of intellect, I am sure that a nice beautiful body wouldn’t hurt either. Why can it not be a package deal? When all is broken down and really looked upon I can see how they could want a man strictly for intellect. Intellectual men tend to be very well spoken, and seem to be able to engage in all sorts of conversation ranging from mathematics to astronomy and also sports. Truth be told there are some really masculine intellectual men, with great bodies and the perfect personality so I can see how my friends could love only intellectual men.


On the other hand, while in school athletes do have to study hard to keep their grades up, and while they might not be as knowledgeable in some areas of study as other guys may be they are very in tune with whatever sport that they do. Fooling around with an aggressive athlete might get you ruffed up one good time (but who’s counting anyway), and that’s not to say that men of intellect won’t do the same. Furthermore I do not believe the stereotype of dumb jocks. Sure there are some, but there are some really intelligent ones too.


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So to all of my friends, I want a guy with a little bit of both. I do not think that one is better than the other is. I just tend to lean more towards the athletes just because they are down right sexy. However intellect has its own sexiness too. There is nothing better then seeing a man reading late at night, or surprising him at his job, because you know he is giving a very intense presentation, and taking him to lunch afterwards. So I say way not go for the best in both worlds get a little of both and call it heaven.








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Have you ever wondered how life would be like if mostly everyone was poor? If you only had a few pairs of shirts and pants to wear the whole year? If you never got presents on your birthday, because your family couldn’t afford it? Or if you only had a pair of shoe’s to wear until your feet grew out of them? I have experienced all of this and much worse, in my life during the Great Depression.


My name is Irene Roytman, and I’m 1 years old. I am one of the many people who lived during the Great Depression. The Great Depression was a time of economic collapse from 1-141. It was extremely difficult to find a job during this time. But I managed to find a job. I work as a Live in Maid in Florida. My boss was one of the few people who were wealthy, so he could afford a maid. My job is somewhat difficult, because I work all day and don’t have much time to rest. My job consists of washing the dishes, vacuuming the house, dusting, moping the floor, making the beds, cleaning and organizing all the rooms, cooking, and doing the laundry. I also go to the food store to buy food for my boss and his family. I get paid $60.00 yearly. I have $5.0 to spend per week. I have some good advantages in my job. I don’t have to pay rent, and I don’t have to buy food with my money. That saves up a lot of money.


I am the only person who works in my family. I have two daughters. My oldest one who is 16 is named Mandy, and my younger one who is 1 is named Hallie. I also have a husband who’s name is Danny. My whole family lives with me in my boss’s house. Both of my kids go to school, and get a good education. My husband stays home with me, helping me do my job.


This week has been such a horrifying week. At first, my dear old mother got very sick, so we had to take her to the doctor to cure her. That cost me $1.80. Then I had to go check on her everyday, and she lives 40 minutes away, so I had to take a bus, which cost me $1.40. I didn’t feel like wasting anymore of my money this week, so I walked to her house the next day. It was extremely tiring to walk in the hot blazing sun, but I survived. Then it was my daughters Birthday and I didn’t want to spend any more money this week, since I only had a $1.10 left. I felt very miserable. Then the worst thing happened, I lost my job! My boss who worked as a college teacher got fired. My family and I were very devastated and oblivious of what would happen to us. I decided to call my brother and ask him if he can take us in. He said of coarse. We moved into his house. He lived in Georgia, which was hours away from my old location. That was my terrifying week. Hopefully we will have better luck in this new state, and someone in my family will find a job, but I am very doubtful that will happen.


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Mostly everyone’s life in the Great Depression was very hard and stressing. Everyone very oblivious of what would happen to them. This was the worst period of my life and for many o





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